Monthly Archives: June 2010

"Seafarer's Guiding Light"

“Seafarer’s Guiding Light” 16″ x 20″ Acrylic on Canvas Panel

I have always been amazed by the North Carolina lighthouses.. and often surprised at the number of North Carolinians who have never visited them.

Highly recognizable, the black and white diamond decked lighthouse at Cape Lookout was not always black and white, nor was it a lighthouse. Since, there is no house attached, the structure is really a light tower. In fact, of the four lighthouses protecting North Carolina’s Outer Banks, only the lighthouse at Currituck Beach is an actual lighthouse; the other three, Cape Lookout, Cape Hatteras, and Bodie Island are light towers. Their names changed to lighthouses, when authorities conceded after much confusion; everyone insisted upon calling them all lighthouses.

Built in 1812, the original octagonal light tower at Cape Lookout, painted red and white, was only 98′ tall. Even perched atop the 8′ sand dune, the structure was too small, too ineffective, mariners rightfully, complained. Throughout history, over 600 ships have sunk along the coast of the Outer Banks. The area off the Carolina coast, dubbed the graveyard of the Atlantic, was too dangerous to traverse without an effective guiding light, claimed Sea Captains. Along this section of the outer banks, hidden shoals extend for 14 miles out into the Atlantic. The shallow sandbars constantly shift under the pressures of the strong currents. Here the cold waters of the Labradors meet the warm waters of the Gulf Stream and they furiously collide, and clash. The effects of the treacherous hidden shoals, combined with the strong currents, can rip a ship to shreds in a matter of minutes. “There is greater danger from seeking the light than any danger it marked,” Seafarers claimed referring to the poorly designed lighthouse.

If you have ever boated to “The Cape” you know that the weather and conditions can change rapidly. Small crafts, as the one depicted in my latest painting, can suddenly become very frightening places to be. The one thing missing from the painting are the life jackets on the sailors. Whenever I heard the words, “get out the life jackets,” I knew that it would be a roller coaster of a ride home! And, you can not get out and walk, if you do not like gigantic swells.

At the bottom of a wave trough, you see only walls of neighboring swells. Above the walls of water, you see only sky. At the top of the trough you can see as far as the eyes can see, as if atop a mountain.

To this day, rapidly changing conditions at sea impact and remain clear in my mind from days long past.

"Breakaway to the Beach"

Something a little fun and festive to watercolor this week for the Mid-Atlantic Chapter of the National Multiple Sclerosis Society!! For those avid cyclists in North and South Carolina, you may see this artwork again in the upcoming months!! Stay tuned!

Carolina Coast Online-June 9

Thanks to Carolina Coast online for the nice publicity for the NCSF poster signing during the  Swansboro “Arts by the Sea” last weekend! Thanks, also, to Tidewater Gallery for hosting me!

http://topsailvoice.com/articles/2010/06/09/tideland_news/news/doc4c0fa3da13d64341216832.txt

Art Commissions

Favorite place?  Special scene? Beloved photograph? –   Art Commissions are welcome.

With a clear understanding of what you want for your commission, I can give you the special painting you have always wanted. I do not know if it is my graphics background that taught me to understand a client’s requirements, or not, but I do have a talent for creating the painting a client wants.

I enjoy new and different ideas as well as styles of painting. I work in acrylic, watercolor and pen/ink. It is exciting to take one’s idea… and translate their idea successfully into a cherished piece of artwork. As a fellow artist said recently, “You know you have succeeded with your artwork when you bring tears to your client’s eyes.”  My goal is to provide commissioned work that brings that kind of emotion each time you see the work hanging on your wall.

For more information, feel free to drop me an email. If you know of a friend who might appreciate knowing about this opportunity, please feel free to share my contact information and Web site.

Note: I do not do portraits of pets and people. I leave that for those artists who do portrait work all of the time. (After all, one must understand one’s strengths and weaknesses! )

I look forward to hearing from you!

"Paint by Credits"

By Emily Brown

Go see Robin Hood while it’s still out in theaters – grab a popcorn, savor the Milk Duds, watch Russell Crowe woo you with his courageous stunts and let Cate Blanchett swoon you with her cool aplomb…and then stay for the credits. The nine minutes of credits are a gift tucked at the end of two hours and twenty minutes of ragged warriors, flaming arrows and fair maidens. Let me explain.

The credits transitioned on and off the screen in a painting backdrop. Think bold colors with lots of verve. The animated paint job recapped the movie, encapsulating the movie in swirls of color that imbued energy and movement and also offering glimpses of Robin Hood’s biography through a series of colorful flashbacks. The painted credits mapped a journey through animated canvasses of color.

There was something so intriguing about the intersection between the illusions of painting intertwined with the medium of film. The credits embedded in the “painting” invite you to think about how movies, like painting, are a way to capture an angle of a story. It took me back to childhood moments of awe when reading a story — when you want to turn the next page because of the vivid pictures.

A self professed traditionalist, sometimes digital spins on art, despite their best intention, just don’t capture the real thing for me. Take for example this movie. The Tower of London, which was recreated digitally, just doesn’t quite feel like the place where I stood in line to see the Crown Jewels.

The painted credits, however, work, fascinating me to think about how art can be a series of compilations, pulling from memory, form, experience, but most importantly stories.

Emily Brown's "Chiaroscuro"

photo by SBM

(Chiaroscuro (kiːˈɑːrə.ˈskʊroʊ, –ˈskjʊroʊ, Italian for light-dark) in art is characterized by strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for using contrasts of light to achieve a sense of volume in modeling three-dimensional objects such as the human body.)

I have a new section in my art blog called, “Chiaroscuro.” Emily Brown has been kind enough to start writing  entries for my blog about art. She  admits that her art skills consist of stick figures and doodles, so she sticks to writing instead. However, she loves learning more about art, especially through traveling. And I believe she has interesting perspectives to share.

A graduate of the University of Georgia with a degree in journalism, she has a soft spot for gelato, handmade paper and Chianti after studying abroad in Cortona, Italy. She ran her first marathon in 2010 after meeting Mickey for the first time in Disney, and she is now hooked on marathon running and will run the NYC Marathon in November. In addition to writing and running, she enjoys cooking recipes from Real Simple, reading of all kinds, traveling, photography and games of Scrabble.

Stay tuned for regular entries by Emily. Happy reading!

Swansboro's Arts-By-The-Sea

Visit Tidewater Gallery in Swansboro, NC on Saturday, June 12 for the community’s Arts-By-The-Sea Festival.

I will be signing NC Seafood Festival posters at the gallery from 11:00 am – 4:00 pm. Hope to see you there!

http://tidewatergalleryswansboro.blogspot.com/
http://www.swansborofestivals.com/

"The Fighting Chair"

“The Fighting Chair” 9″ x 12″

My goal was to highlight the fighting chair and fishing boat in the foreground, while illuminating the background boats and scene. I was fascinated by the “drama” the effect created… These fishing boats can be found on the Morehead City waterfront.

"Lookout Clouds"

“Lookout Clouds” 6″ x 12″

I am always fascinated by the way clouds move across the horizon, particularly against the stark white of the Cape Lookout Lighthouse.

"Ponies at Lookout"

“Ponies at Lookout” 8″x8″

A view from the straits behind Cape Lookout.